In fact, that propulsive energy and a fun leading turn by Mary Elizabeth Winstead is what keeps "Kate" afloat.
KATE NETFLIX MIKU MARTINEAU MOVIE
Yet with bursts of gnarly brutality and an almost primitive in-your-face energy, the movie could rightfully bear the grindhouse label. Looked at a certain way, "Kate" could have melded right into a quadruple feature at the old Cameo Theater in Los Angeles or had its four-letter name wedged onto a cramped 42nd Street marquee in New York.īut to be fair, "Kate" isn't a trashy film and it certainly doesn't look cheap (well, there is that one car chase sequence). I admit to having a nostalgic soft spot for a select few of those movies although only in measured doses.
You could say that the sometimes vicious and often ultra-violent "Kate" has a late 1970s grindhouse appeal (for those who find grindhouse films appealing). It's the second movie helmed by French filmmaker Cedric Nicolas-Troyan, an Oscar-nominated visual effects artist who turned to directing in 2016 with the shaky "The Huntsman: Winter's War." To his credit, Nicolas-Troyan brings splashes of style and plenty of grit to "Kate."But in the end it's nothing we haven't seen several times before. The latest to join the crowded field is "Kate," a new Netflix Original set to premiere on the streaming platform this weekend. Minus a few minor deviations, that same general framework is shared by a host of recent assassin flicks including "The Protege," "Ava," "Anna" and "Gunpowder Milkshake." Sparked by the success of the "John Wick" franchise, these movies have all but created their own action sub-genre. If all of that sounds familiar to you, it's for good reason.
KATE NETFLIX MIKU MARTINEAU FULL
Of course it came packaged with a traumatic backstory, a mentor/father figure, and a mission of vengeance ending in a bloodstained showdown where the assassin's occupational artistry is on full display. It seems like only a few days ago that I was reviewing a movie about a female assassin who dreams of a normal life but is bound to her violent (and apparently popular with moviegoers) profession.
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